{"id":1023,"date":"2016-09-30T21:26:00","date_gmt":"2016-09-30T21:26:00","guid":{"rendered":"http:\/\/barrowstreet.org\/press\/?p=1023"},"modified":"2016-10-11T18:57:58","modified_gmt":"2016-10-11T18:57:58","slug":"kingdom-come-radio-show-joni-wallace","status":"publish","type":"post","link":"https:\/\/barrowstreet.org\/press\/book\/kingdom-come-radio-show-joni-wallace\/","title":{"rendered":"<em>KINGDOM COME RADIO SHOW<\/em>, JONI WALLACE"},"content":{"rendered":"<p><a href=\"http:\/\/barrowstreet.org\/press\/book\/kingdom-come-radio-show-joni-wallace\/\"><img loading=\"lazy\" decoding=\"async\" class=\"vertical-align:text-top alignleft\" src=\"http:\/\/barrowstreet.org\/press\/wp-content\/uploads\/KingdomCome-Wallace-frontcover-200x300.jpg\" alt=\"\" width=\"233\" height=\"350\" \/><\/a><\/p>\n<p>We know much of what happens when we break atoms apart. Yet how much of that human history can the human voice carry? Even the flesh is an agglomerate of unstable atoms, leaking secrets.This book and its sound pieces show us how the poem, itself rattled by atomic shifts, can carry our shadows. What\u2019s left, our earthly remnants, is bathed in the light of song,like a deer leaping through in its precise talent, bones made radiant.<br \/>\n\u2014Eleni Sik\u00e9lian\u00f2s<\/p>\n<form action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" target=\"_top\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" \/><input name=\"hosted_button_id\" type=\"hidden\" value=\"LKY9AUGQNAXR2\" \/><input alt=\"PayPal - The safer, easier way to pay online!\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/btn\/btn_buynow_SM.gif\" type=\"image\" \/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/form>\n<p><!--more--><\/p>\n<p><em>Kingdom Come Radio Show<\/em> is a documentary poetics that reads like a gorgeous, shattering symphony. Here the movements of history and the natural world mingle with the strains of personal memoir to create a work of profound music and sensibility. From the terrible imagination of Oppenheimer to the ephemera of mouse tracks, deer antlers, and the \u201cviolinings of crickets,\u201d Joni Wallace has assembled an astonishing elegy for our beautiful, doomed Earth.<br \/>\n\u2014Karen Brennan<\/p>\n<p>&nbsp;<\/p>\n<p>Skeleton grottoes, body sorrows, Hank Williams\u2019 cries, a nightjar\u2019s singsongs: how tangible the loneliness-es in these poems. In such poems, animals keep their distance. The fenced-off ghosts of atomic-bomb tests are the inscrutable blank spaces on western maps, whose moans haunt the redacted lines of history. Terror and wonder are fleetingly captured in the yellowed documents, hand-held films, radio plays, and chance photographs that make up the post-nuclear world of Joni Wallace\u2019s book, which also portends the future\u2014planes become drones, guard towers become cell towers, and the mushroom cloud becomes only the cloud. Wallace is a risk-taking poet who invents new words for old realities, and recovers old words for new realities. We see the terrain in a newly startling light.<br \/>\n\u2014Richard Greenfield<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;Outside us, moves we can\u2019t make\/Herd scatter in staggered rays.\u201d <a class=\"twitter-share-button\" href=\"https:\/\/twitter.com\/share\" data-url=\"http:\/\/bit.ly\/2dUSypx\" data-text=\"'Outside us, moves we can\u2019t make\/Herd scatter in staggered rays.' #JoniWallace\" data-count=\"none\">Tweet<\/a><br \/>\n<script>\/\/ <![CDATA[\n!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=\/^http:\/.test(d.location)?'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+':\/\/platform.twitter.com\/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs');\n\/\/ ]]><\/script>&#8220;When the canna, red and waxy, grew up\/through the contamination zone, some said\/ears of erased things.\u201d <a class=\"twitter-share-button\" href=\"https:\/\/twitter.com\/share\" data-url=\"http:\/\/bit.ly\/2dUSypx\" data-text=\"'When the canna, red and waxy, grew up\/through the contamination zone, some said\/ears of erased things.' #JoniWallace\" data-count=\"none\">Tweet<\/a><br \/>\n<script>\/\/ <![CDATA[\n!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=\/^http:\/.test(d.location)?'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+':\/\/platform.twitter.com\/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs');\n\/\/ ]]><\/script><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mesas and Particles<\/strong><br \/>\nSome nights inside the caterwaul of coyotes<br \/>\nthe telephone rings, very late or very early.<br \/>\nMy father walks out into darkness.<br \/>\nMy mother still sleeping<br \/>\nand I am.<br \/>\nHe drives along the road, surreal<br \/>\nin the animal-hours, turns,<br \/>\ndrives past a gun tower, past a guard station,<br \/>\nup a hill, another turn and another hill and then<br \/>\nfar out across a mesa to a concrete building<br \/>\nwhere one mile of nothing whispers by.<br \/>\nMy father works the machine that makes the mile go past,<br \/>\ninvisible flowering.<br \/>\nSome mornings I dream the machine itself is invisible.<br \/>\nThere is my father fixing the invisible machine.<br \/>\nHe can see through it and I can see<br \/>\nthrough the thought of it into the azure wave<br \/>\nof morning, wave the color of an iris inside an iris.<br \/>\n<em>Look<\/em>, he says, <em>no hands<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Traces of Lake, a Herd (for J)<br \/>\n<\/b>When I say the lake reflects below<br \/>\nand for you, I mean ungulate shed<\/p>\n<p>on the lakeshore. I mean chorus,<br \/>\nthe way a jinx of trees makes the lake-body,<\/p>\n<p>elk as phrase.<\/p>\n<p>Are they thirsty in the next world?<br \/>\nAre they gazing up?<\/p>\n<p>Inside the whir, soft rush of planets,<br \/>\nwheels of snow turn all around them.<\/p>\n<p>Fancy legs, fancy feet.<\/p>\n<p>Lacuna where a buck exhales<br \/>\nthe translucent structure of antlers.<\/p>\n<p>Elk-thought weighting<br \/>\nan iridescent belt of cold.<\/p>\n<p>There are clothes we fill and then<br \/>\nthe shed-pile knits a somber tower.<\/p>\n<p><i>Let down your hair<\/i>, you say, and I do.<br \/>\nGesture for cascade, a waterfall, the rush<\/p>\n<p>into dissolve, a pool of lake.<br \/>\nIf I say your plane lands, it lands,<\/p>\n<p>spingle-spangle on the runway.<\/p>\n<p>You\u2019re here, late, in the kitchen.<br \/>\nYour shoulders, your midnight arms.<\/p>\n<p>Outside us, moves we can\u2019t make.<br \/>\nHerds scatter in staggered rays.<\/p>\n<p>No perceivable end.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/185039941\" width=\"700\" height=\"394\" frameborder=\"0\" title=\"Kingdom Come Radio Show   by Joni Wallace, Barrow Street Press NYC, 2016\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p><code><\/code><br \/>\n<strong><em>Kingdom Come Radio Show<\/em> (2016) ISBN:\u00a0978-0-9973184-1-8<\/strong><br \/>\nPlease email infobarrow at gmail.com to place an order.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We know much of what happens when we break atoms apart. Yet how much of that human history can the human voice carry? Even the flesh is an agglomerate of unstable atoms, leaking secrets.This book and its sound pieces show us how the poem, itself rattled by atomic shifts, can carry our shadows. What\u2019s left,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1023","post","type-post","status-publish","format-image","hentry","category-book","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/posts\/1023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/comments?post=1023"}],"version-history":[{"count":40,"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/posts\/1023\/revisions"}],"predecessor-version":[{"id":1093,"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/posts\/1023\/revisions\/1093"}],"wp:attachment":[{"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/media?parent=1023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/categories?post=1023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/barrowstreet.org\/press\/wp-json\/wp\/v2\/tags?post=1023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}